Fizzle archive and new show

Andy Woodhead sends the following:

Hello!

Thanks to all who came down last week, it was lovely to see so many people out!

The recording is now up in the archive here:
https://www.mixcloud.com/fizzlearchive/footewrightfordpalmer-excerpt-plus-nobledunmallsanders-excerpt-240215/

(I’ve done excerpts of both sets and put them together in a little mash up because of various really boring reasons to do with Mixcloud’s upload policy)

Coming up on the 10th at the Lamp we have another absolute belter of a gig for you:

Bruce Coates – Saxes
John Edwards – Bass
Mark Sanders – Drums

Plus early set from

Richard Scott – Violin
Tapiwa Svosve – Shruti Box

Doors at 7, Early Set 7.15, Main Band 8pm.

£5 OTD

See you all there!

The Lamp Tavern, 157 Barford Street, Birmingham, West Midlands B5

 

Sound Out programme on Nature Study Notes

Perhaps, like the EMC, you were not able to get to the concert by the New Scratch Orchestra of excerpts from the Scratch Orchestra document, Nature Study Notes on Sunday, 22 February 2015. Well, here’s something to make up for it: the Resonance FM programme, Sound Out, from 20 February 2015, hosted by Carole Finer, which talks about the ways that the New Scratch Orchestra (or ‘Scratch Orchestra’, as it is called by some of the participants) approaches Improvisations Rites, the type of musical activity collected in Nature Study Notes. Hear it here: https://www.mixcloud.com/Resonance/sound-out-20th-february-2015/ . It’s a rather revealing glimpse into what the new generation thinks of Improvisation Rites and ‘improvisation and a musical life’, as Cornelius Cardew called it. Bryn Harris and Carole Finer represent the original Scratch Orchestra. Worth listening.

Scratch Orchestra Improvisation Rites

Sunday night there will be a rather wonderful event at Cafe Oto. Various people — original Scratch Orchestra members, new folk, younger folk — have been working on that most fascinating genre of Scratch Orchestra music-making, the Improvisation Rite, using the early Scratch Orchestra document, Nature Study NotesNature Study Notes is a collection of Improvisation Rites, edited by Cornelius Cardew, that existed right at the start of the Scratch Orchestra. Improvisation Rites are not compositions, at least not according to the Draft Composition of the Scratch Orchestra. Instead, they are meant to supply conditions for improvisation: a setting, idea, installation, and so on. In fact, many of the 152 Nature Study Notes Rites are actually compositions (they tell you what to play), but the Scratch Orchestra genres have always been somewhat fluid. For more on Cardew and the Scratch Orchestra, there’s a rather good article on Cardew and the Scratch Orchestra in the unlikely setting of the Red Bull Music Academy website: http://www.redbullmusicacademy.com/magazine/cornelius-cardew-feature.

Stefan Szczelkun launched this concert of Scratch Orchestra improvisation along with a host of others, and from the early notes on rehearsals, it looks amazing. The information on the concert at Cafe Oto exists on their site: https://www.cafeoto.co.uk/events/nature-study-notes/ . It’s going to be a lovely programme, and the EMC (Chris Hobbs, Virginia Anderson) are going to be in the audience, cheering them on. For those on Facebook, the event notification is here: https://www.facebook.com/events/1409389246024588/?ref_dashboard_filter=upcoming . And Carole Fyner will be interviewing performers on her Resonance Radio (London and the Internet) show, Sound Out, on Friday, 20 February, at 2 pm.

And should you want to follow along, the EMC has put up a download of the original EMC edition of Nature Study Notes on our Freebies page: http://www.experimentalmusic.co.uk/emc/Freebies.html . Your school field trip notebook was never this much fun!

Partch work quilting

Today, some of us at the EMC feel a bit Partched, given that Harry Partch has won a Grammy. So many people have been talking about Partch that we followed one of the YouTube links (thanks to our friend, the John Cage expert, David Patterson) to a 1958 film about Partch in which he shows off his instruments. This film can be found on a DVD from Innova Recordings, which includes four rare films and performances (see here: http://www.innova.mu/albums/harry-partch/enclosure-viii ). The DVD also includes a 1968 film about Partch that was broadcast on KPBS San Diego (a film that appeared briefly on YouTube but was removed), and a 1981 performance of Barstow at San Diego State University by Danlee Mitchell and the SDSU Partch Ensemble.* But for the moment, luxuriate in the demonstrations of Partch’s instrumentation. Microtonal sounds so juicy you could swim in them….

*I was a graduate teaching assistant at SDSU in 1980–81 and got a glimpse of early rehearsals for that performance. As a TA, it was my responsibility to keep undergrads off the cloud chamber bowls, which were stored at the back of the recital hall.

Lentz in the lens

The whole Southern Californian ‘pretty music’, minimalism and postminimal scene that came up from the late 1960s and after is very complementary to the British experimental scene. Some of the connections are there (Harold Budd’s work with Brian Eno on Obscure Recordings, for instance); some are just really happy parallels. This week, two items about Daniel Lentz came into my personal Facebook account. Lentz is one of the twin pillars of the Los Angeles ‘pretty music’ scene (along with Harold Budd). His music is sometimes almost liturgically ritual, often lush and sensual, intimate, occasionally funny, and, yes, often very, very pretty. Daniel Lentz’s music is always well worth checking out (as is his artwork). (For those who don’t know his work, here’s his website: ).

But back to last week’s Lentz. The first is a link to YouTube. It’s a mid-1980s American children’s TV show called Reading Rainbow, hosted by LeVar Burton, in which ‘Is It Love’, a piece from Lentz’s album The Leopard Altar is set to an animation. It’s a delight of bright digital sound. Here it is: https://www.youtube.com/watch?v=BzQrYTWdNCA&feature=youtu.be . It’s worth chasing up the whole track, which lasts about nine gorgeous minutes.

The second Lentz item is a piece from 1977, and was sent to us by Janyce Collins, performer, teacher, and pilot. This piece is called Flying Alleluia for 29 Hang Gliders, a piece in which each hang-glider pilot either sings a note, or installs a wind-operated Aeolian reed on their machine. The 29 pitches are played as each pilot launches in score order, so that ‘massed listeners’ below the flight path will hear the Alleluia plainsong. We do hope that someone performs this again, and that it will be a good day when we’re there to hear it.

Portsmouth Sinfonia at the Royal Albert Hall

One of our favourite British experimental groups was the Portsmouth Sinfonia, aka ‘the world’s worst orchestra’. This is a short documentary about their performance at the Royal Albert Hall on 28 May 1974, with Sally Binding, pianist on Tchaikovsky’s First Piano Concerto, and the Portsmouth Sinfonia Choir, singing The ‘Hallelujah’ Chorus from Handel’s Messiah. It’s in three parts on YouTube, to be found by clicking the links below. Thanks to the musicologist and theorist Kevin Holm-Hudson for making us aware of this historic film.

Further Duo Percussion things

We’ve shifted our collective bottoms and have done more on the EMC Duo Percussion Anthology page that we announced earlier this week. The new things include a picture of the cover, a list of the pieces in the Anthology, links to relevant recordings on the EMC Recorded Music Archive, and more. For more information, go to the Experimental Music Classic Catalogue: http://www.experimentalmusic.co.uk/emc/Classic_EMC_Catalogue.html

 

Hobbs-White Duo concert on Soundcloud

New to the EMC Soundcloud offerings is an archive performance of Christopher Hobbs and John White at the Whitechapel Gallery, 10 June 1973. These are the early ‘strict’ systems and readymades for unpitched percussion. More on this type of music, and how to get the score of the Hobbs-White Duo Percussion Anthology can be found on the EMC website, here: http://www.experimentalmusic.co.uk/emc/Classic_EMC_Catalogue.html . The Soundcloud recording is here: https://soundcloud.com/dr-virginia-anderson/sets/hobbs-white-duo-at-whitechapel-gallery-10-june-1973 .

Ives, Essays, and the ‘Strange Artist’

For those of you who follow Kyle Gann’s PostClassic blog, you will have found a real treat today in his entry, ‘Justifying the Strange Artist’, in which Gann looks at the work of Henry Cecil Sturt’s ‘Art and Personality’ essay. Charles Ives wrote his famous Essays before a Sonata, partly in response to Sturt’s essay. Here Gann reproduces a long passage from his upcoming book, giving us a good idea of what Sturt thought and why Ives wrote his response. Gann begins by stating how much the Essays influenced him as a teen, and how the reception of Ives’ writings have been increasingly seen as confused: ‘a jumble of pseudo-intellectual blovations’. There seems to be a trend toward a revision of Ives reception in recent years, with writers seeing him as homophobic and sexist, and returning to the early view of Ives as a kind of ‘outsider’ amateur, whose innovations come mainly from his inability to write music competently. Having spent a lot of time reading Ives (and Cage) from the age of thirteen and having my mind well and truly ‘blown’ by the ideas of these composers, I find the modern response to be curious. I can only imagine that the lack of understanding of the Essays and the condemnation of his ideas by modern writers to be a problem with their understanding of music and of history. Gann’s blog post is here: http://www.artsjournal.com/postclassic/2015/01/justifying-the-strange-artist.html . It’s well worth close reading.

Free concert recording

The EMC founder Christopher Hobbs played a lunchtime concert at Coventry University on 5 November 2014. The programme consisted of:

Terry Jennings: Piano Piece 1960
Morton Feldman: Intermission 5 (1952)
Christian Wolff: Play (1968) (with Chris Evans, perc.)
John Cage: Music for Marcel Duchamp (1947)
Christopher Hobbs: Sudoku 137 (2013)
Terry Jennings Piano Piece 1 1965 “Winter Trees”

We thought that it was a shame that everyone couldn’t be sent to Coventry, at least for this one concert, so we’ve put up a recording. To give it a listen, press here: http://www.experimentalmusic.co.uk/emc/Hobbs_concert,_Coventry,_5_November_2014.html