Kyle Gann’s new book, Charles Ives’s Concord: Essays after a Sonata (University of Illinois Press), is out and is no doubt of great interest to all Ives fans, scholars, and pianists. On Jems, the peer-review journal hosted by the EMC, Chris Hobbs checks out this book, using fifty years of familiarity with the piece.* You can find his findings here in the review section of Jems.
*(A funny story: Hobbs performed the “Thoreau” movement for his entrance audition to the Royal Academy of Music in 1967. One of the examiners was the composer Alan Bush, who looked at the score and said something like, “Don’t know this piece. How am I going to know if you play a wrong note?” For the exact anecdote, buy Chris a beer and he’ll tell you…).