The EMC must admit that it doesn’t work on the best experimental music 24/7. Occasionally it watches the odd sporting contest. The other day, whilst watching the US Open, we saw a commercial for Dassault Systemes, a kind of data imaging software company, which proposed to find a way of moving icebergs from the polar regions to areas of the earth that need fresh water, following a theory proposed by the engineer Georges Mougin. You can see a lot on this proposal at: http://www.3ds.com/icedream/ .
But the Scratch Orchestra got there first, in the concert ‘The Journey of the Isle of Wight Westward by Iceberg to Tokyo Bay’, a research project proposed by Brecht & McDiarmid Research Associates (yes, that George Brecht!) and delivered sonically by the Scratch Orchestra at the Chelsea Town Hall, 15 November 1969. In this realisation, individual SO members researched aspects of the project and performed them simultaneously. You can read about this in John Tilbury’s book, Cornelius Cardew: A Life Unfinished (Matching Tye, Essex: Copula, 2008), p. 391. In Michael Parsons’ article ‘The Scratch Orchestra and Visual Arts’, Leonardo Music Journal, volume 11 (2001), 5–11, Parsons described how Christopher Hobbs ‘tolled a deep bell at regular intervals to warn of the island’s progress’. Frank Regan and Roger Wright provided feedback with a Uher tape recorder, and, writes Tilbury, ‘There was joyous celebration when the equator was crossed’.
Now that Dassault Systemes has caught up with the Scratch Orchestra, they might want to go the whole hog — how are they going to detach the Isle of Wight? Obviously just a technicality: we’ll be looking for garlic festivals and regattas in Tokyo Bay very soon!