Next week’s Fizzle

Andy Woodhead sends us the following from frimpland (where all is freely improvised). Looks good — Paul Dunmall is always worth a listen.

Hello again!

We had a cracking week last week with Alicia and Tom and Alison and co, and a great turn-out as well, so thanks all for coming! Recordings are making their way to the archive in the near future all being well, so keep your ears to the ground for those.

We’ve got an absolute belter of a Fizzle coming up for you this tuesday…

Doing the early set we have:

Richard Foote – Trombone
Joe Wright – Tenor Sax
Tom Ford – Guitar/FX
Euan Palmer – Drums and Cymbals

followed by:

Liam Noble – Piano
Paul Dunmall – Saxophones
Mark Sanders – Drums and Cymbals

Doors at 7
Early Set at 7.15
Main Band at 8

Usual fiver on the door

See you all there!

He didn’t add the location, but here it is: The Lamp Tavern, Barford St, Birmingham, B5 6AH.

Further Duo Percussion things

We’ve shifted our collective bottoms and have done more on the EMC Duo Percussion Anthology page that we announced earlier this week. The new things include a picture of the cover, a list of the pieces in the Anthology, links to relevant recordings on the EMC Recorded Music Archive, and more. For more information, go to the Experimental Music Classic Catalogue: http://www.experimentalmusic.co.uk/emc/Classic_EMC_Catalogue.html

 

Hobbs-White Duo concert on Soundcloud

New to the EMC Soundcloud offerings is an archive performance of Christopher Hobbs and John White at the Whitechapel Gallery, 10 June 1973. These are the early ‘strict’ systems and readymades for unpitched percussion. More on this type of music, and how to get the score of the Hobbs-White Duo Percussion Anthology can be found on the EMC website, here: http://www.experimentalmusic.co.uk/emc/Classic_EMC_Catalogue.html . The Soundcloud recording is here: https://soundcloud.com/dr-virginia-anderson/sets/hobbs-white-duo-at-whitechapel-gallery-10-june-1973 .

Free concert recording

The EMC founder Christopher Hobbs played a lunchtime concert at Coventry University on 5 November 2014. The programme consisted of:

Terry Jennings: Piano Piece 1960
Morton Feldman: Intermission 5 (1952)
Christian Wolff: Play (1968) (with Chris Evans, perc.)
John Cage: Music for Marcel Duchamp (1947)
Christopher Hobbs: Sudoku 137 (2013)
Terry Jennings Piano Piece 1 1965 “Winter Trees”

We thought that it was a shame that everyone couldn’t be sent to Coventry, at least for this one concert, so we’ve put up a recording. To give it a listen, press here: http://www.experimentalmusic.co.uk/emc/Hobbs_concert,_Coventry,_5_November_2014.html

Aspects of British Experimental Music on Academia.edu

Virginia Anderson’s PhD thesis, ‘Aspects of British Experimental Music as a Separate Art-Music Culture’ (Royal Holloway, University of London, 2004) is available online on the site Academia.edu for free download: https://independent.academia.edu/VirginiaAnderson/Papers . This academic study of various aspects of the British experimental and systems music group has not been freely available before. Containing early versions of several of her articles and chapters on Cardew’s Treatise, English systems, text notation and the Scratch Orchestra (some of which are free to download on the same page), this paper might be of interest to those students of British experimental music.

Ordering the little way….

Occasionally we get requests from big companies, publishers, universities and so on, assuming that we’re a big publishing firm. But we’re just a little group of people putting out the odd score and CD (some admittedly, odder than others). We’re kind of like a village women’s club who sell a few pots of jam to cover the cost of the sugar, fruit and jars, simply because they like making jam. And of course the composers get royalties on each sale. It’s only a little bit (a straight 10%), but we think it’s important that they get recognition.

So here’s a bit of EMC housekeeping: how to order stuff from the EMC. We like to do things in the easiest way possible. We recommend that order through us by email and pay by PayPal. It’s the cheapest way we’ve found to get the good ol’ EMC stuff from us to you. The information about how to do this is here: http://www.experimentalmusic.co.uk/emc/How_to_Order,_Submissions,_Privacy.html.

We usually get the money transferred into our Paypal account and immediately send out the order within a day or two — the very next day the Post Office is open, usually. And you can always email us at questions**experimentalmusic.co.uk (for the **, substitute @) if you need any assistance — heck, just to chat.

Right, that’s enough housekeeping. The next blog post will be more interesting, promise.

 

Canard de “Fizzle”, avec lapin

Bruce Coates brings us news of the new season of Fizzle, curated by Andrew Woodhead. This concert may quack you up, so be sure to attend: hop to it!

The new season of Fizzle kicks off with the fabulous duck-rabbit, featuring:

Joe Wright – saxophone/electronics,
Tom Taylor – piano/electronics,
James Opstad – double bass/electronics

Should be a delightful gig, come on down!

Gig starts at 8pm at the Lamp Tavern, Barford St, Birmingham.

£5/£3 OTD

The Tortoise, His Journey — No Dreaming

The Tortoise and His Raincoat: Music for a Very Long Walk is an event created by Nat Evans, who is hiking the 2600 miles of the Pacific Crest Trail from Mexico to Canada, creating environmental recordings and collaborating with composers along the way. Scott Unrein, a Portland-based composer who is associated with the Missouri-based minimalist recording company Irritable Hedgehog, has written episode 6: Nacre. You can hear it (if you listen carefully — it starts very softly!) here: https://soundcloud.com/natevans-1/the-tortoise-6-scott-unrein-oregon-nacre

Edited for errors. Really, we shouldn’t let admin try to write copy! (Virginia)

Lewis-Shrapnel Duo in London

Well, this looks like it’s going to be a lot of fun. John Lewis was one half of the legendary 1970s piano duo with Dave Smith. Hugh Shrapnel was a member of the (can we repeat legendary? Oh, okay, we will) legendary minimalist quartet the Promenade Theatre Orchestra. Both composers have come up with loads of great pieces over the years, so we expect good things from this concert. And the free wine’s a bit of a draw!

Hugh Shrapnel and John Lewis Piano Duets and Solos

Saturday 27th September 6.30 pm                                  

Schotts Music Publishers, 48 Great Marlborough Street, London W1F 7BB                                                   (Nearest tube Oxford Circus)

Shrapnel and Lewis’s music complements each other. The former’s amiable sepia-tinted portraits of S.E. London life and locations contrast with the latter’s more aggressive jazz-tinged depictions of the Chemical Elements.

Expect train journeys, rare-earths, cemeteries, evil-smelling liquids and much more…

Admission £8, (concs. £5) and free wine!

EMC upgrades move to Jems

The current summer updates to the Experimental Music Catalogue website have now moved to our associated peer-review journal, JemsThe editors have added a category called ‘Links to like-minded writings’, which will connect Jems to work that will amplify and contextualise the discourse on experimental and minimalist music. These writings are already in fixed format and will be available through open-access. The first link is James Pritchett’s perceptive study of Cage’s spirituality in the 1940s and 50s. There will be more to come.